asylum-art:

Magical Paths Begging To Be Walked

Roads and paths pervade our literature, poetry, artwork, linguistic expressions and music. Even photographers can’t keep their eyes (and lenses) off of a beautiful road or path, which is why we collected this list of 28 amazing photos of paths.

Paths like these have a powerful grip on the human imagination – they can bring adventure, promise and change or solitude, peace and calm. There’s nothing like a walk down a beautiful path to clear your head – or to fill it with ideas!

I’ll leave you with an excellent quote from J. R. R. Tolkien’s works while you enjoy these images; “It’s a dangerous business, Frodo, going out your door. You step onto the road, and if you don’t keep your feet, there’s no knowing where you might be swept off to.

  1. Autumn In The White Carpathians
  2. Rhododendron Laden Path, Mount Rogers, Virginia, USA
  3. Spring In Hallerbos Forest, Belgium
  4. Autumn Path In Kyoto, Japan 
  5. Autumn Path
  6. Bamboo Path In Kyoto, Japan
  7. Hitachi Seaside Park Path In Japan
  8. Dark Hedges In Ireland
  9. Winter Forest Path, Czech Republic
  10. Path Under Blooming Trees In Spring

(via howleu)

zaynspersonalbodyinspector:

In our society today girls feel that they need to be skinny in order to find love.  Fact is, your true love is gonna love you no matter what.  If he cares about the size of your thighs more then the size of your heart…drop him my darlings as no man should make you feel bad about your size if he truly loves you <3

Reblog. Every. Single. Time.

(via howleu)

storyshots:

Drawing from films

Drawing from films is a ridiculously useful exercise. It’s not enough to watch films; it’s not enough to look at someone else’s drawings from films. If you want to be in story, there’s no excuse for not doing this.

The way this works: you draw tons of tiny little panels, tiny enough that you won’t be tempted to fuss about drawing details. You put on a movie - I recommend Raiders, E.T., or Jaws… but honestly if there’s some other movie you love enough to freeze frame the shit out of, do what works for you. It’s good to do this with a movie you already know by heart.

Hit play. Every time there’s a cut, you hit pause, draw the frame, and hit play til it cuts again. If there’s a pan or camera move, draw the first and last frames.

Note on movies: Spielberg is great for this because he’s both evocative and efficient. Michael Bay is good at what he does, but part of what he does is cut so often that you will be sorry you picked his movie to draw from. Haneke is magnificent at what he does, but cuts so little that you will wind up with three drawings of a chair. Peter Jackson… he’s great, but not efficient. If you love a Spielberg movie enough to spend a month with it, do yourself a favor and use Spielberg.

What to look for:

  • Foreground, middle ground, background: where is the character? What is the point of the shot? What is it showing? What’s being used as a framing device? How does that help tie this shot into the geography of the scene? Is the background flat, or a location that lends itself to depth?
  • Composition: How is the frame divided? What takes up most of the space? How are the angles and lines in the shot leading your eye?
  • Reusing setups, economy: Does the film keep coming back to the same shot? The way liveaction works, that means they set up the camera and filmed one long take from that angle. Sometimes this includes a camera move, recomposing one long take into what look like separate shots. If you pay attention, you can catch them.
  • Camera position, angle, height: Is the camera fixed at shoulder height? Eye height? Sitting on the floor? Angled up? Down? Is it shooting straight on towards a wall, or at an angle? Does it favor the floor or the ceiling?
  • Lenses: wide-angle lens or long lens? Basic rule of thumb: If the character is large in frame and you can still see plenty of their surroundings, the lens is wide and the character is very close to camera. If the character’s surroundings seem to dwarf them, the lens is long (zoomed in).
  • Lighting: Notice it, but don’t draw it. What in the scene is lit? How is this directing your eye? How many lights? Do they make sense in the scene, or do they just FEEL right?

This seems like a lot to keep in mind, and honestly, don’t worry about any of that. Draw 100 thumbnails at a time, pat yourself on the back, and you will start to notice these things as you go.


Don’t worry about the drawings, either. You can see from my drawings that these aren’t for show. They’re notes to yourself. They’re strictly for learning. 

Now get out there and do a set! Tweet me at @lawnrocket and I’ll give you extra backpats for actually following through on it. Just be aware - your friends will look at you super weird when you start going off about how that one shot in Raiders was a pickup - it HAD to be - because it doesn’t make sense except for to string these other two shots together…

(via wannabeanimator)

(via softytea)

http://howleu.tumblr.com/post/96026126632/curryuku-tortle-please-what-are-you

http://howleu.tumblr.com/post/96026126632/curryuku-tortle-please-what-are-you

curryuku:

tortle:

image

Please!
What are you paying for? If it’s for an item that is physically being shipped to you, then by all means continue!
But if it is for digital art, please reconsider!

image

This means that paypal is expecting me to ship a physical item to you!
And the more…

for every artist out there that does commission :)

Source: tortle

Originally from wow, what a dork

x / x / x / x / x

(via tobiramas)

happy birthday Hinata! 27/12

(via dattebae)